Yours, Mine and Ours (2005)

I'm afraid there may be something seriously wrong with me because I want to see Yours, Mine and Ours. It has to be bad, doesn't it? Probably full of toilet humor and poorly executed slapstick. Maybe I want to see it because I have a soft spot for the original, which starred Henry Fonda and Lucille Ball. I don't know if my friends realize that I like family-themed films. My mom knows and she doesn't understand. But how can you not like With Six You Get Eggroll, The Parent Trap, or Look Who's Talking? These aren't necessarily good movies, nor are they movies I would put on my Netflix© cue, but if any of them come on TV, I can't turn them off. I sit there and watch to the bitter end each and every time. I'm afraid not even the little sister (not my actual sister) may be willing to sit through this one with me. If I have to go alone, I will. You know what they say: the heart wants what the heart wants. My heart wants to see Dennis Quaid and a million little kids running around. (Oddly, I do not find the remake of Cheaper by the Dozen appealing in the least. The original was ok.)

The appeal of these films, and similar tv shows, is that somehow these wacky blended families make it work. The are meant to be together, they find happiness and the kids all love each other. Or, in the case of "The Parent Trap"it was all a big misunderstanding and true love conquers all. It also provided wish fulfillment: I always wanted a twin sister.

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I finally went to see "Yours, Mine and Ours" with work friend, Nancy. It turns out that Nancy has the same love of blended family type of films (and the same complete lack of interest in Cheaper by the Dozen, despite the presence of Steve Martin) as I do. Don't know what her excuse is, she comes from an intact family.

We went to see it at Union Station. As we walked to our theater, we were a little concerned by the mobs of small children surrounding us. Apparently, they were all there to see Narnia or Harry Potter because we had the theater completely to ourselves. We chatted and heckled loudly through the entire film. I had very, very low expectations and was completely satisfied by the experience. A pig played a supporting role in the film causing me to say more than once, "Everything is funnier with a pig."

Syriana (2005)

I'm sure Syriana is a fine movie (or maybe not), but all I cared about was getting to the non-subtitled parts so I could close my eyes. Perhaps it wasn't the best movie to see on almost no sleep. I have to say that it doesn't speak well for the film that it didn't get me to perk up at all. And I didn't like it enough to see it again.

I was expecting a satisfyingly complicated plot. I like that. This plot--well, it wasn't complicated as much as it was opaque. I'm not even sure what the point was. To figure that out, I'd need to see it again. And I don't want to. My buddy, Spesh, who is the Political Commissar for film (meaning he decides whether a film has good politics and I argue with him about it), was disappointed in its politics, but I'm not sure why. The Commissar doesn't need to explain his opinions. I was just disappointed. Those high expectations will get you every time.

Walk the Line (2005)

I liked Walk the Line. Reese Witherspoon's performance was one of the best things about the movie. She always good, even when the movie she's in is crap. In this case, she picked a good movie and made it better. She is an interesting actresses to watch, mostly because of the underlying intelligence she brings to every role. Joaquin Phoenix was no slouch either and had the lost, sexy appeal of the real Johnny Cash.

A choice bit of dialogue:
Johnny Cash (to Sam Phillips): Do you have a problem with the Air Force?
Sam Phillips: No.
Johnny Cash: Well, I do.
Cash sings "Folsom Prison Blues" and you get exactly how much he hated being in the Air Force.

The movie is full of light, small touches--and some bombastic ones too. A good amount of time is devoted to showing Phoenix and Witherspoon perform, but their chemistry is as palpable on stage as off, so it works. They did all their own voice work and it was the right way to go. There is nothing inventive or unique in the plot or structure of this bio-pic, but the leads are enchanting and watchable.

The best part of the movie is that it does a lot of showing and little telling. Not much time is wasted on exposition, you are plunged right into the action. The technique allows us to connect the dots, but the guiding hand of the director doesn't leave much room for drawing the wrong conclusions.

Cash was an imperfect man who never pretended to be anything else. His story is worth seeing for that reason alone.